Bio • Discography • Media Quotes

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Since 1980, the 4 or 5 or 6 (or more) Floptops known as Negativland, a multimedia collective originally from the San Francisco Bay Area, have been creating records, CDs, video, fine art, books, radio and live performance using appropriated sounds, images, objects, and text.

Mixing original materials and original music with things taken from corporately owned mass culture and the world around them, Negativland surreally re-arrange these found bits and pieces to make them say and suggest things that they never intended to. In doing this kind of cultural archaeology and "culture jamming" (a term they coined way back in 1984), Negativland have been sued twice for copyright infringement.

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While it is true that, after being sued, Negativland became more publicly involved in advocating significant reforms of our nation's copyright laws (even finding themselves being brought to Washington DC and Capitol Hill as citizen lobbyists for copyright and art issues), Negativland are artists first and activists second. All of their art and media interventions have intended to pose both serious and silly questions about the nature of sound, media, control, ownership, propaganda, power, and perception in the United States of America. Their work is now referenced and taught in many college courses in the US, has been written about and cited in over 150 books and legal journals, and they sometimes lecture about their work here and in Europe. 

While their tactics and art practices have now become something a tween can do with a few clicks on their smartphone, Negativland is still interested in unusual noises and images (especially ones that are found close at hand), unusual ways to restructure such things and combine them with their own music and art, and mass media transmissions which have been sources and subjects for much of their work. Negativland covets insightful humor and wackiness from anywhere, low-tech approaches whenever possible, and vital social targets of any kind. Foregoing ideological preaching, but interested in side effects, Negativland is a subliminal cultural sampling service concerned with making art about everything we aren't supposed to notice.

More about Negativland

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Negativland’s self tilted sound collage debut came out in 1980 when some of the members were still in high school. The album covers were handmade and numbered, with 15,000 one-of-a-kind covers (9000 vinyl and 6000 CD) eventually being made over the next 15 years. A vinyl re-issue is in the works.

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Since 1981, Negativland and an evolving cast of characters have operated “Over The Edge,” a weekly radio show on KPFA FM in Berkeley, California. “Over The Edge” continues to broadcast, and over 34 years of shows are available at The Internet Archive.

“A Big 10-8 Place” came out in 1983. It was the groups third record and their first to be a concept album, a format they have more or less stuck to ever since. This tape splicing extravaganza, three years in the making, came in a wrap-around sleeve with poster, bumper sticker, inspection cards, hand embossed inner sleeve, and a baggie of lawn clippings (or beauty bark in the later CD version).

1987 saw the release of their seminal (and best selling) fourth album “Escape From Noise,” which contained the track “Christianity is Stupid,“ and lead to a startling ax-murder hoax that became the subject of 1989s “Helter Stupid” album.

1993 saw the release of “Free,” a reaction to the current state of affairs in the USA at that time, and in 1995 they released a 270-page book with 72-minute CD entitled "Fair Use: The Story of the Letter U and the Numeral 2," documenting their infamous four-year long legal battle over their 1991 release of an audio piece entitled "U2.”

They were the subjects of Craig Baldwin's 1995 feature documentary "Sonic Outlaws" and created the soundtrack and sound design for Harold Boihem's 1997 documentary film "The Ad And The Ego," an excellent in-depth look into the hidden agendas of the corporate ad world and the ways that we are affected by advertising. 

1997’s "Dispepsi" was a high-concept collection of original music, songs, and collaged advertising that brought Negativland’s brand of thirsty cultural critique to the parched and dehydrated psyches of of young consumers everywhere. It focused on the impact of mass advertising via the idea of making a record that was about nothing but Pepsi, Pepsi, Pepsi (and a bit of Coke).

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2002 saw the issue of “Death Sentences Of The Polished And Structurally Weak.” Actual wrecking yard detritus, found notes, cassettes, laundry lists, etc, formed the basis of a poignant 64-page full-color book with read-along CD soundscape. The album was a return to pure noise collage and closest in spirit to "A Big 10-8 Place,” but utterly unique in the Negativland canon... no words, just sounds.

In 2004 Negativland worked with Creative Commons to write the Creative Commons Sampling License, an alternative to existing copyrights that is now widely used by many artists, writers, musicians, film makers, and websites.

In 2005, they released the elaborately packaged "No Business" (with CD, 15,000-word essay, die-cut outer sleeve, and custom-made whoopie cushion), and debuted "Negativlandland" - a large visual art show of over 80 pieces of their "fine art" works, videos, home-made electronic devices, and a life-sized animatronic Abe Lincoln robot, at New York City's Gigantic Art Space. The exhibit traveled around the country, showing in New York, Los Angeles, Seattle, Minneapolis, Houston, and Richmond, VA.

In 2007, Negativland released "Our Favorite Things", a feature-length DVD collection of their many years of collaborative film work. In 2008 they surprised themselves and everybody else by putting out a toe-tapping all-singing song project of one member's compositions called "Negativland Presents Thigmotactic.”

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2014’s "It's All In Your Head" found the group tackling their biggest subject ever: why so many humans believe in God.

This ambitious and densely-crafted double CD was packaged inside of an actual King James Holy Bible, repurposed into a "found" art object. Negativland mixed found music, found sound, found dialogue, guest personalities and original electronic noises into a compelling musical essay on monotheism, Christianity, Islam, Judaism, neuroscience, suicide bombers, 9/11, cola, war, shaved chimps, and the all-important role played by the human brain in our beliefs. The audio was first presented in over 35 stage performances as a live radio broadcast (modeled after the “Over the Edge" radio program), with the album itself being assembled from tracks recorded live in front of blindfolded audiences, documenting the unique style of live collage performances that Negativland has been presenting on stages and radio since the formation of the group.

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In late 2016, Negativland released a new CD entitled "The Chopping Channel", volume 9 in an ongoing series of albums edited from their ongoing live mix radio show, Over The Edge. The first record released since the 2015 and 2016 deaths of both long-time member Don Joyce and co-founder Richard Lyons, “The Chopping Channel” was a manic collage work about the ravenous commodification of every last aspect of our physical and emotional lives, and was completed in the months before Don died. Taking the packaging to its ultimate and logical conclusion, 1000 copies of the CD included actual “cremains” (ashes) of deceased member Don Joyce himself, and came with the gift of one of Don's unique, handmade audio tape carts, used in the creation of Over The Edge and Negativland live performances as his “main instrument” from 1981 up until his death. As a statement from beyond the beyond, the release is perhaps the ultimate end game in Negativland’s history of found art, appropriation, repurposing and productizing. The “release” of Dons ashes in this manner kept with his lifelong devotion to the creation of art above all else, speaking to the degree to which virtually no idea in art was ever off-limits to him.

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And what is “True False”?

“True False” is their 13th studio album and Negativland’s 2019 return to all original music that you could mistake for actual songs, albeit ones being sung by dozens of sampled vocalists who have never met. The first of two interconnected double albums, “True False” tackles concerns that will be familiar to any surviving fans of the band: our nervous systems, our realities, and the evolving forms of media that inevitably insert themselves between us. Shootings, bees, the right's rules for radicals, climate control, dogs pretending to be children, the oil we eat, capitalism, and the right of every American to believe whatever they want to believe ….all are explored. It’s the first Negativland album to come with a lyric sheet, and is a reminder that we need more than just one memory before we can safely tell anyone else that this is not normal. Juxtaposing Occupy mic checks with US militia rallies, FOX news hosts and ecoterrorists, and your own sanity with the home viewing habits of Negativland's lead vocalist, the Weatherman, as we witness the entrenched political beliefs of left and right cleanly switching sides in under one generation, when you put the word 'True' next to the word 'False', a broader reality reveals itself.

And, finally, just who is even in Negativland these days? Didn't half of you die a few years ago?

For ”True False,” Negativland consists of Mark Hosler, David Wills, Peter Conheim, and Jon Leidecker, as well as our dearly departed Don Joyce, Richard Lyons and Ian Allen. Containing tapes from the earliest years of the band (including dozens of samples that will be very familiar to regular listeners of our radio program Over The Edge), work on ”True False” began in earnest in 2012, folding the decades on top of each other until they finally resembled all of the feelings that tomorrow has for today.

 
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See a 90-minute presentation on Negativland's work, history, copyright activism, and fair use, as shared at the 47th Ann Arbor Film Festival,

titled "Adventures in Illegal Art":


 

BIG TIME MEDIA QUOTES ABOUT NEGATIVLAND'S WORK THAT MAKE THEM SOUND LEGIT

Declared heroic by their peers for refashioning culture into what the group considers to be more honest statements, Negativland suggests that refusing to be original, in the traditional sense, is the only way to make art that has any depth within commodity capitalism...
— NEW YORK TIMES
Negativland isn’t just some group of merry pranksters; its art is about tearing apart and reassembling found images, objects, and sounds to create new ones, in an attempt to make social, political and artistic statements. Hilarious and chilling.
— THE ONION
It’s an often ignored request, but you may pay more attention to the phrase “Please remember to take all your belongings” after seeing Negativland’s eerily mesmerizing new project...
— NEWSWEEK
Negativland is arguably the preeminent audio collage collective of our time.
— HI FRUCTOSE
Negativland argues persuasively that creators should be able to appropriate bits and pieces of anything and incorporate then into their work without fear of legal action.
— UTNE READER
Negativland, longtime advocates of fair use allowances for pop media collage, are perhaps America’s most skilled plunderers from the detritus of 20th century commercial culture...the band’s latest project is razor sharp, microscopically focused, terribly fun and a bit psychotic.
— WIRED MAGAZINE
For more than 30 years, Negativland has earned renown for manipulation of both tape and media.
— LOS ANGELES TIMES
Collage pioneers... genre-defying, densely layered, strangely accessible...
— WASHINGTON POST
Negativland... known for their media pranks...
— TIME MAGAZINE
Negativland are at it again... a parody of soft drink marketing.
— ENTERTAINMENT WEEKLY
Scathing and entertaining... they believe that the sheer volume of advertising is degrading to the mental and physical environment.
— BUSINESS WEEK
A provocation and a punk-inspired commentary on our mercenary culture…eloquent and impassioned spokesmen for ideas like a “creative commons”…it’s salutary to see these smart and influential guys get a gallery show.
— ART IN AMERICA
Fearless artistes or foolhardy risk-takers... by constantly haranguing the listener with authentic advertising spiel and highlighting its transparency, they kill the messenger, kill the message and produce highly entertaining art simultaneously.
— L.A. WEEKLY
Musical-collage pioneers... genre-defying, densely layered, strangely accessible.....
— URB
Disorienting and hilarious, Negativland’s records and live performances will dazzle and enlighten you.
— THE STRANGER
Twisted genius... compelling... parody and satire as a grass roots weapon of consumer resistance.
— ROLLING STONE
Negativland: a sense of humor, brilliant collage work (especially on a purely aesthetic level), and great cultural criticism. These qualities have long been the cornerstone of an artistic and activist career which is second to none…
— TUBA FRENZY
The band hilariously juxtapose and layer sound bites and jingles... to help their targets hang themselves. What if the Pepsi execs actually like the album?
— SPIN
Negativland were definitely not what the EDM kids at Bumbershoot were expecting. The experimental San Francisco sound collagists don’t make music as much as sonic mayhem: audio think pieces that are subversive and enlightening, vexing and revelatory. Negativland are political to the core.
— SEATTLE WEEKLY
It’s no “Abbey Road”, but it’s a pretty good listen.
— PEPSI SPOKESMEN
 

Discography

Negativland Studio
Albums & EPs:

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NEGATIVLAND

1980

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POINTS

1981

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A BIG 10-8 PLACE

1983

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ESCAPE FROM NOISE

1987

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HELTER STUPID

1989

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U2 (EP)

1991

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GUNS

1992

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FREE

1993

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DEAD DOG RECORDS (as part of the Fair Use book)

1995

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TRUTH IN ADVERTISING (EP)

1997

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DISPEPSI

1997

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HAPPY HEROES (EP)

1998

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THE ABCs Of ANNARCHISM [with Chumbawamba] (EP)

1999

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DEATH

SENTENCES OF THE POLISHED AND STRUCTURALLY WEAK (book and CD)

2002

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NO BUSINESS (book and CD)

2005

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THIGMOTACTIC

2008

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IT’S ALL IN YOUR HEAD

2014

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TRUE FALSE

2019

 

Negativland
Presents Over the Edge CD series:

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Over The Edge Vol. 1: JamCon ’84

1984

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Over The Edge Vol. 1 1/2: The Starting Line with Dick Goodbody

1985

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Over The Edge Vol. 2: Pastor Dick: Muriel’s Purse Fund

1986

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Over The Edge Vol. 3: The Weatherman’s Dumb Stupid Come-out Line

1989

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Over The Edge Vol. 4: Dick Vaughn’s Moribund Music of the 70’s

1990

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Over The Edge Vol. 5: Crosley Bendix: The Radio Reviews

1993

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Over The Edge Vol. 6: The Willsaphone Stupid Show

1993

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Over The Edge Vol. 7: Time Zones Exchange Project

1994

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Over The Edge Vol. 8: Sex Dirt

1995

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Over The Edge Vol. 9: The Chopping Channel

2016

 

Negativland DVD Releases

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No Other Possibility (now as part of the A Big 10-8 Place reissue)

1989

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Our Favorite Things

2007

 

Books with CDs

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Fair Use: The Story of the Letter 2 and the Numeral U

1995

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Deathsentences of the Polished and Structurally Weak

202

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No Business

2005

 

Archive of over 3200 hours of Negativland's weekly radio show, Over the Edge, hosted by The Internet Archive:

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Over The Edge Radio Archive 1981- 2015

2015

Compilations and Remixes 

1984 - Yogi Cometbus Audiocassette Magazine - "Seventy Dreams"

1985 - Local International - "One Through Twenty"

1987 - Northern California Is A Noisy Place, Indeed - "Paul McCartney's Penis"

1987 - Objekt 3 - "Radio Advertising"

1987 - Zamizdat Trade Journal - "General Cavendish"

1987 - Unsound magazine- "Play It Again" 

1987 - Potatoes - "Perfect Scrambled Eggs"

1987 - Mashed Potatoe - "A Mashed Version Of Potatoes"

1990 - Live At The Knitting Factory Volume Three - "You Must Choose"

1991 - SST Acoustic - “Nesbitt's Lime Soda Song”

1992 - Bob's Media Ecology² - "Tribal Mandate"

1997 - Resonance magazine - "Fast Talk"

1998 - Staalplaat's The Sound of Music 3" CD - "The Weatherman's Big 10-8 Doof"

1999 - Knitting On The Roof - "Tevye's Dream"

2000 - Hate People Like Us - "What's Music?"

2000 - Etoy's Toywar - "Clowns and Ballerinas Extended Version"

2001 - Yo-Yo A Go-Go 1999 - "The Immortal Words Of Casey Kasem"

2002 - Tracks From The Best Dance Albums Of All Time - "Christianity Is Stupid"

2003 - Ikebana: A Tribute to Merzbow - "An Actual Attack"

2003 - Dubtometry - "Asphalt"

2006 - Musicworks - "No Business"/"Favorite Things"/"It's All In Your Head FM" (rehearsal)

Retrospective Art Shows

2005 - "Negativlandland" Gigantic Art Space, New York, NY

2006 - "Negativlandland" Consolidated Works, Seattle, WA 

2006 - "Negativlandland" Creative Electric Studios, Minneapolis, MN

2010 - "Thigmotactic" Sean Pace Gallery, Asheville NC

2010 - "Our Favorite Things" Nau-haus Gallery, Houston, TX

2012 - "Our Favorite Things" La Luz De Jesus, Los Angeles, CA 

2013 - "Our Favorite Things" Ghost Print Gallery, Richmond, VA

Other art shows in US and Europe

2001 - "Pixelplunder" year01.com, 2001 Toronto Canada

2002 - "The New Gatekeepers" Columbia University School Of Journalism, New York, NY

2002 - "Deathsentences" Cornish College, Seattle, WA

2002 - Shack Obscura/Van De Griff-Marr Gallery, Santa Fe, NM

2002 - "Version 2.0" Chicago MOMA, Chicago IL, Nov

2003 - "Illegal Art" CBGB Gallery, New York, NY

2004 - "Illegal Art" SF MOMA, San Francisco, CA

2004 - "Illegal Art" Resource Center for Activism and Art, Washington DC 

2004 - "Illegal Art" In These Times, Chicago

2004 - "Co-lage" Matthews Gallery, Tampa FL

2005 - Projections on side of the World Intellectual Property Organization Building, Geneva, Switzerland

2006 - "Illegal Art" Pacific NW College of Art, Portland, OR

2006 - "Illegal Art" Art & Culture Center of Hollywood, FL

2006 - Scope/Art Basel, Miami FL

2007 - Sonar, Barcelona, Spain

2007 - "System Error" Siena, Italy

2007 - "Homegrown" Southeastern Center of Contemporary Arts, Winston Salem, NC

2007 - "Madonna and Child" Madison County Arts Council, Marshall, NC 

2007 - "In Appropriations" Gulf Coast University Museum, Ft. Myers, FL

2009 - "Motion Graphics Festival" Chicago IL, Boston MA, Atlanta GA, Austin TX

2010 - "Dead Fingers Talk: The Influence of William Burroughs"  IMT Gallery, London, England

2016 - "Mash Up," Vancouver Art Museum, Vancouver Canada

2016 - "Void California" Wattis Gallery, San Francisco, CA